Marine animals: a foxface rabbitfish, a Hawaiian bobtail squid.
Large ones: a polar bear, a woodland caribou. He’s taken pictures of small ones: a green-and-black poison dart frog, an El Segundo flower-loving fly. Since 2006, he’s photographed more than 8,000 animals for the passion project he named Photo Ark. Even so, Sartore estimates that it will take 25 years or more to photograph most of the species in captivity. Zoos are the last hope for many animals on the verge of vanishing-but zoos shelter only a fraction of the world’s species.
See photos of the some of the world's most endangered species, and learn more about the Photo Ark project to photogrpah them all. “People think we’re going to lose animals in their grandchildren’s time,” says Jenny Gray, CEO of Zoos Victoria in Australia. Many of them (forecasts range from 1,600 species to three million) could go extinct by the end of this century, as a result of habitat loss, climate change, and the wildlife trade. There are estimated to be between two million and eight million species of animals on the planet. “I get most excited when I do little critters like this,” he says, “because nobody’s ever going to give them the time of day.” But launching a planetwide mission with a tiny rodent fits perfectly with Sartore’s philosophy. It might seem odd that such a humble creature could inspire what has become Sartore’s lifework: photographing the world’s captive species and making people care about their fate. He put the bald, bucktoothed rodent on a cutting board from the zoo kitchen, and Sartore started taking pictures. “What about a naked mole rat?” said Scheer. When he arrived, Sartore requested two things from Chapo and curator Randy Scheer: a white background and an animal that would sit still. Even with Kathy’s illness, he could work a little close to home-and the zoo was one mile away. On a summer day in 2006 Sartore called up his friend John Chapo, president and CEO of the Lincoln Children’s Zoo, and asked if he could take portraits of some of the zoo’s animals. Could they also be used to capture public attention? Portraits could capture an animal’s form, features, and in many cases its penetrating gaze. He had taken pictures that showed in one frame why a species was struggling-an Alabama beach mouse, for instance, in front of a coastal development that threatened its habitat-but he wondered whether a simpler approach would be more effective.
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He thought of Edward Curtis, who “photographed and recorded, on early movie footage and sound,” threatened native cultures. “He could see the end for some animals, even in the 1800s.” He thought of George Catlin, who painted American Indian tribes “knowing that their ways of life were going to be seriously altered” by westward expansion. “He painted several birds that are extinct now,” says Sartore, who has prints of Audubon’s Carolina parakeet and ivory-billed woodpecker in his home. Of that time, he says now, “I had a year at home to think.” He thought about John James Audubon, the ornithologist. So Joel Sartore had no choice: With three kids ages 12, 9, and 2, he couldn’t travel for the stories that were the mainstay of his career. The cancer sentenced her to seven months of chemotherapy, six weeks of radiation treatments, and two operations. “He never wanted to change diapers or be a stay-at-home dad,” she says.īut in 2005, on the day before Thanksgiving, Kathy was diagnosed with breast cancer. His wife, Kathy, stayed in Lincoln, Nebraska, and took care of the kids. Buy Photo Ark books and merchandise here.įor years National Geographic photographer Joel Sartore worked far away from home-documenting the astonishing wildlife of Bolivia’s Madidi National Park or scrambling up the three tallest peaks in Great Britain or getting too close to grizzly bears in Alaska. The episode airs this Sunday, October 14, at 7:30 p.m. Watch Joel Sartore on the next edition of 60 Minutes and see what it takes to create the Photo Ark.
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